So tell me what you think, keeping in mind that The Plant is an unfinished work (although I reserve the right to continue the story, and to continue posting further installments, if the feedback is positive) and I can’t guarantee you an ending, either happy or sad. But I do think you should be able to print what you read, and pass it on if you choose, the same way you might pass on a book you bought to a friend. But I could live with a ratio of nine honest folks for every chiseler. Of course it won’t be that much, because there are always going to be cheaters and chintzes in the world (and for some reason they seem to live longer than the rest of us, God knows why). If there are 50,000 downloads, I should get something like $50,000. My purpose here isn’t to skin anybody but to have some fun and try out a concept so old it may seem new call it “honesty is the best policy.” If it seems fair to you, e-mail the website and say so. But you gotta kick a buck a dollar an episode seems fair enough to me. If you wanted to download the stuff to your printer, you could do that. I’m therefore willing to try selling The Plant on an honor system. It took hackers only forty-eight to seventy-two hours to bust the encryption on “Bullet” (as Tabitha says, spending invaluable hours to obtain an item that sold for $2.50 and was at many sites given away).īeing something of an optimist about my fellow creatures, I have the idea that most people are honest and will pay for what they get. On the other hand, I think that the current technology is rapidly turning the whole idea of copyright into a risky proposition…not quite a joke, but something close to it. On one hand I applaud Metallica’s decision to try and put a few spikes into the big, cushy radial tire that is Napster, because creative people should be paid for their work just as plumbers and carpenters and accountants are paid for theirs. I was intrigued by the success of “Riding the Bullet” (stunned would probably be a more accurate word), and since then have been anxious to try something similar, but I’ve also been puzzling over issues of ownership when it comes to creative work. If this idea interests you, will you e-mail the website and say so? By the same token, if it sounds like a bad idea, will you tell me that? Now it has occurred to me that it might be amusing to put it up on this web-site, in installments of 5000 words each…something like that, anyway. The story struck me as both scary and funny. It told the story of a sinister plant-sort of a vampire-vine-that takes over the offices of a paperback publishing company, offering financial success in trade for human sacrifices. At the time I quit, the work in progress was roughly 25,000 words long. I gave The Plant up not because I thought it was bad but because other projects intervened. I published limited editions of the first three short volumes, giving them out to friends and relatives (folks who are usually but not always the same) as funky Christmas cards. In the early 1980s, I started an epistolary novel called The Plant. The letter from Stephen, which accompanied the first installment: If the inspiration does return, at some time in the future this project will be completed but the format for its publication may be different. The Plant was published in six installments and distributed through Stephen's web site as an e-book on the honor system for payment. The company experiences a sudden turnaround of fates but, as always, success doesn't come without a price.ĭownload The Plant, Parts 1-3 (Adobe PDF)ĭownload The Plant, Parts 4-6 (Adobe PDF) After having his book rejected, Carlos sends them a "gift"-an ivy plant which is taken in and cared for by Riddley Walker (the company's mail clerk who pretends to be less educated than he is). Their sales are failing and the company is about to go under when they are approached by Carlos Detweiller who has a book called True Tales of Demon Infestations he would like them to publish. Things aren't going well for Zenith House, Publishers.
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